Around
the same time I started writing seriously I heard a story about Friedrich Schiller
who wrote with a bundle of rotting apples stuffed in his desk drawer. I liked
that story and thought maybe I should be like that. Now that I’m older and
don’t care as much about creative affectations, peccadilloes, or just plain
fastidiousness, there’s not really a single thread of consistency through my
writing day. So I’ll choose a random day where I think good work was put down.
I
get up at 5am and immediately make coffee and smoke a cigarette. It’s winter
and cold and still dark so I won’t be able to see the sun rise until much
later. I don’t care and I don’t write yet. I sit at my desk and immediately
navigate to YouTube and spend as much time as it takes to think of an old song
I really liked when I was a teenager. I find it. It’s “On a Ship to Bangladesh”
by Three Mile Pilot. I listen to it once, twice, and a third time. It’s really
good and it makes me feel…purposeful. I navigate the related videos to see if
anything triggers my nostalgia. Not much. I open iTunes. I find the album Prowler
in the Yard by Pig Destroyer and listen to the song “Starbelly”. I listen
to it a second time. Coffee is drunk. Time for another cigarette. More of the
same music follows. I don’t write yet. I decide it’s time to smoke so I roll a
large joint, smoke it, smoke another cigarette, and listen to “Timber” by Kind
of Like Spitting. It’s a sad song. By this time I go and clean myself up. I
don’t write yet.
My
bus is leaving soon so I get ready and head straight to the Greyhound and hop
on a bus to Niagara Falls, only a short trip from Toronto where I live. I pick
the Ramada Hotel on Niagara Parkway near Dad’s Diner. First I go to Dad’s Diner
and order the biggest breakfast they have—3 eggs, bacon, sausage, home fries,
toast, fruit—and eat it, drink more coffee, watch a table of 3 really old
couples do the same. I don’t really stare but I am aware of them and try to
eavesdrop. Nothing too interesting. I walk to the hotel and its fucking
freezing. It must be 25 below. I check in, get to my room, unpack my laptop. I
open the curtains to a view of the hotel parking lot with frosted cars rotting
in the frigid air. A decent image, I think, but ultimately played out. I don’t
write yet. I turn on the TV. It’s the weather channel.
I
only have the room for one night so I think I better get cracking. I strip down
and take a shower. It’s as hot as possible. I have always liked taking showers
in hotels. I think because it’s an unfamiliar place. I finish and go outside
and smoke more cigarettes. Back inside I stare out my window more and for
longer periods of time. Nothing outside has changed. I don’t write yet. I start
channel surfing and do that for hours. I watch sitcoms, soap operas, even the
news. I watch anything at all until I fall asleep. I wake up a few hours later
and watch more television for hours more. I stare at my laptop. I stare out the
window. Smoke more cigarettes outside. I listen to “Cherry Tree” by Xenia
Rubinos. I left all my pot at home.
By
the time the sun is going down I am hungrier than hell. I explore the hotel
welcome package for nearby restaurants and order a large pizza and box of
cheesy breadsticks. I stare at my laptop. I put on more music: the album The
Ascension by Glenn Branca. I eat half the pizza and I am exhausted. It is
way too much. I shut the curtains and crawl into the bed. I leave the TV on so
I can hear the sounds wash over me as I fall asleep at 8pm. I haven’t written a
word.
I
wake up feeling disgusted. I need to get out of here immediately. I get lucky
and there’s a GO Bus leaving in an hour, so I check out and walk to the
station. It’s still early. On the bus I think of the old couples sitting at
Dad’s Diner and write a few stanzas about them in my phone. I write about what
they might have been talking about and imagine their lives, past and present. I
save the note and don’t look at it again until weeks later. It takes only an
hour or so to work the stanza into a full poem, edit it, feel happy with it.
It’s a good work, I think, such as it is. I never submit the poem to a magazine
and never look at it again. I still have it saved on my computer. It will never
see the light of day.
JC Bouchard’s poetry is forthcoming in CAROUSEL, and has appeared in carte
blanche, PRISM international, The Puritan,
and Arc. His first book of poems and photographs, Let This Be The End Of Me, was published by Hybrid Heaven Press in
spring 2018.
No comments:
Post a Comment