For years, I pocketed a single
piece of paper, folded in half, then folded in thirds, so it fit easily
reachable but inconspicuously into a dress shirt pocket, behind a pen, an idea
I got from the writer Joseph Mitchell. Sometimes, that piece of paper might
last a week, or longer signifying a period of listening lassitude. Other times,
I would need to replace a filled piece of paper daily. The used pieces, worn
and frayed, smeared, unfolded and placed flat on the desk or table, yielded
twelve rectangles of writing, six on each side, with no discernible sequence or
connection: notes, names, places, lists, ideas, dialog, doodles, drawings, mini-calendars,
music, reminders, abbreviations only I would ever be able to decipher, and
sometimes even I could not, poetry, sentences, symbols. The pages filled desk
drawers, old shoe boxes, compost for some writing spring.
These days, I allow myself
the luxury of a pocket size Moleskin Cahier unlined journal book, which I slip
into the left back pocket of my jeans, which I wear for three or four days
running before the biweekly shave and shower. The book lasts much longer than
that, weeks, maybe months. The used books, contoured like an old pair of pants,
a few missing pages, each remaining page crossed out as having been used or
declared not useful, like their folded page precursors, also fill the desk
drawer or a shoe box.
The writing day becomes a
writing life. The folding of a new piece of paper or the opening of a new
journal brings a kind of joy. After a time, old papers and journals are discarded,
tossed into the recycling bin. To keep them, to save them, would be too
sentimental, soft, presumptuous. What nutrition they might have contained has
already been burned. The hard edge of writing is on the front line, always
something new. And yet, pictured, is me at my writing desk, circa 1974, at work
on what would become, 40 years later, “Penina’s Letters.”
Writing is incremental, a
process of addition, but also of subtraction, of awakening and sleeping, that
daily rhythm, slowed to a pulse, a breath.
Joe Linker is
the essay editor at Queen Mob’s Teahouse
from Feb. 2020, having served as poetry editor from Feb. 2019. He’s lived most
of his life on the US west coast within reach of the ocean.
No comments:
Post a Comment