I
crave a routine, but I don’t have one, yet. I like to write alone, but I’m not
able to, yet. My boyfriend has just moved into the studio flat that I’m
subletting so we’re always in the same room. Most days I’m not writing poems, I’m
earning money – doing tarot readings, editorial work, interviewing tattoo
artists, assessing creative manuscripts etc. When I’m not earning money, I’m
working on the PhD that I’m doing. I’m right at the beginning stage though,
it’s only my first semester so it’s still incredibly thrilling. All of this
work comes before writing poems, which is my absolute favourite thing to do.
I’m
not a morning person. I don’t rise at 5am like all writers are supposed to do.
I go to sleep late, and I wake up late (unless I have early work meetings). I’m
a night owl, even my name means ‘night time’ in Sanskrit. After my multiple
work assignments, I find time to meditate, go for a chilly walk on Tempelhofer
Feld (which is five minutes away from the flat), listen to self-help podcasts, and
to watch trashy British reality shows. Most of these things happen after 8pm, these
are the things I do to keep balanced, and they manage to keep me busy into the
early hours of the morning.
I
wasn’t always a freelancer. I wrote the majority of my first poetry collection You Found a Beating Heart while I was
living in Brighton, UK. I was working full-time at Brighton & Hove Council
as well as doing a NCTJ in Multimedia Journalism. I wrote my second poetry
collection Black & White Dream in
an entirely different way. I was living in Kreuzberg, Berlin, and had just quit an unfulfilling job at a TV
Production Company. I had a gorgeous blank space of time stretching out before
me. I pretty much didn’t leave my flat for three months, which was helped along
by the harsh Berlin winter. All I did was write poems, they were aching to get
out of me. It was easy. Looking back at this time in my life, it seems grossly
luxurious. Poetry-only days don’t happen anymore. But I do sometimes manage to
scribble down a stream of consciousness. This is my way into writing a poem. I
favour a psychoanalytical free writing approach. It’s always cool to see what
nuggets of weirdness I can draw out from my subconscious.
Nisha Bhakoo is a British poet and editor. She is currently
working on a PhD on the Uncanny within contemporary poetry at Humboldt
University. Her poems, which explore gothic ideas, have been published in
literary magazines internationally. She has also made poetry films that have
been exhibited in the UK and Germany. Her first poetry collection, You found a beating heart, was published by The
Onslaught Press in 2016. Her second poetry collection, Black and White Dream, will be published on 31 October
2018 by Broken Sleep Books. She is currently co-editing Gothic Poems with Charlotte Geater, for the Emma Press.
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