1.
Today
I wake up to a red sky. Before I get out of bed I read Facebook statuses, share
articles, and like and love lots of things. I like and love just down the road
from a crusher, like and love as chunks of limestone clunk their way up a
conveyor belt and fall to the hammers, like and love as the limestone is
pulverized. The sky clouds over. It feels like the clouds are crushing my
bones. On Twitter I see a story titled “The Trump-Era Boom in Erasure Poetry”
from New Republic. I read it and
retweet. Drizzle on the window. A CBC story called “'3D storytelling': Deaf
Crows slam brings poetry to life” pops up in the feed. I read and retweet that
too.
2.
Mostly
cloudy, says Environment Canada. Getting up takes a while. Today is the day I
will remove the poems from the bulletin boards. The main edit of my upcoming
book is complete. Just the copyedit to go and that’s that. It’s time to clear
the way for new work. That’s what I said yesterday, too. Instead I watch the
mountain ash bob with the all-day come and go: late robins, another influx of
pine grosbeaks, Bohemian waxwings, and ravens. Sitting in my chair, feet up on
the desk, a cup of coffee at my side, I zoom in and shoot, catching a magpie as
it loads its bill with berries. I’ll post a magpie pic to Facebook along with a
little pun or haiku. This has become standard practice.
3.
I
like writing reviews. I like deadlines. I like constraints. Today there’s none
of that. Today it’s mostly cloudy. Poems come when they come. I sit here and
wait. Today I doubt I’ll get anything done.
4.
It
drizzles off and on. The pressure keeps falling. The stack of books beside my
desk is still waiting. I used to start my day by reading poems, but that has
fallen away with the rise of social media. Now I generally read poetry and
nonfiction in the afternoon and fiction before bed. Right now I’m halfway
through The End of Days by Jenny
Erpenbeck, a stunning novel I learned about on Facebook. These days I find the
best word-of-mouth recommendations in the Facebook comments of my friends.
5.
I
no longer hear the crusher, though I know it hasn’t stopped. It hurts to hold
the camera up thanks to yesterday’s flu shot. It hurts to drink coffee, it
hurts to hold a book. It doesn’t hurt to watch birds. Hordes of poems are still
pinned to the bulletin boards. They could very well be the last poems I’ll ever
pin there. This is when it should drizzle for the sake of the narrative, but
no. It’s neither cloudier nor clearer. My magpie pic has received some likes
and loves. My friends are good that way. That’s enough.
Brenda Schmidt is a naturalist and visual artist living in Creighton, a mining town on
the Canadian Shield in northern Saskatchewan. Author of four books of poetry
and a book of essays, her work is included in The Best of The Best
Canadian Poetry in English: Tenth Anniversary Edition (Tightrope,
2017). Her book Culverts Beneath the
Narrow Road will be published by Thistledown Press in the spring of 2018. She
is the seventh Saskatchewan Poet Laureate.
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