To those who wake up and start writing at the crack of
dawn, I salute you. When I get up, usually between 9:00 and 10:00 am, I need
two cups of strongly caffeinated fluid and at least two hours to review the
morning news, respond to emails, and spend quality time with my nearly
nineteen-year-old cat (I catch her between naps—she loves to sleep as much as I
do). After a workout at the gym (well, not every day, but most), I’ll check in
with my parents (dad is nearly 90; mom, 85) or visit my mother-in-law (she is
only 81), and then run errands and/or drive them wherever they need to go.
Though I am caregiving for much of each day, of late, I do make
mental notes for my work as I go, jotting them down on small pieces of paper and
shoving them into my purse for sorting when I arrive at my writing shed. By
then it is usually between 3:00 and 4:00 pm, but when I close the door behind
me, I’m flooded with a sense of well being and can easily spend two to six
hours at a time working.
Before I sunk any money into a shed (insulated, wired for
heat), I tried renting a single room in an office building; it was very cheap,
because it had no windows. The office next to mine was soon rented to a bill
collector who yelled at people on the phone all day long, and though I heard
some potentially interesting stories through the wall, they were not worth the
sacrifice of my solitude.
At home, my husband—also a writer, but one with far fewer
requirements for his working conditions—could never seem to resist knocking on
the door of a room I claimed in the basement, to ask if I needed more tea, or a
snack. (I know, I know—you should be
so lucky!). While I can work on freelance editing projects in that space, I
cannot lose myself enough to write fiction there. And so the 8 x 10 wooden
structure came to be built.
On the large, old architect’s table I use as a standing
desk, I wrote drafts of my first novel here. The walls are now covered with
ideas and plans and outlines that will eventually become my next book. Unlike
the purchase of that home exercise equipment, which seemed like a good idea at the
time, my writing shed has already earned its keep. (By the way, if anyone’s
interested in a barely used treadmill….)
Karen Smythe is a
Guelph-based writer. Born in Winnipeg and raised in Toronto, she has lived in
six Canadian provinces (and considers herself a Maritimer at heart). With a PhD
from the University of Toronto, Karen has worked as a university professor and
registrar, an editor of fiction and non-fiction, and a senior policy analyst,
but now writes full-time. In 2015 she received a Letter of Distinction from the
Director of Humber College’s Creative Writing Correspondence Program, earned
under the mentorship of Diane Schoemperlen. Karen’s first novel, This Side of Sad, was published by Goose
Lane Editions in September 2017. Her second novel is underway.
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