I
wake in a fugue state - an overwhelming sense of obligation to both my work and
writing hobby thrumming a resounding chorus of anxious thoughts, swirling. My
brain needs two massive mugs of coffee before any thoughts will reach clarity. My
mug is cornflower blue. When tipped back it covers my whole face.
I
do not have a typical writing day. I write when there is quiet, calm, excess
time, and space. Perhaps also when there is some trauma to process or some
inspiration offered by the universe.
I
start out by getting my children settled into their new school routine, logging
on and being prepped with finished work. Having a pencil for the new work that
must be done, or a laptop to log in to a classroom.
I
have a calendar that is meant to mark all of the days I write in a row. There
are no rows. Seems no amount of discipline offers me any meaningful or decent
work. Discipline is even more meaningless in a pandemic during which my whole
family must be at home asking for small kindnesses.
Its
difficult to find balance, but somehow when inspiration comes, I am always
ready.
Often,
it starts with editing poems I thus far have hated. When I was still going to
work each day on public transit, I had plenty of time to write mediocre pieces
that required a lot of love to grow into something beautiful. It takes a lot to
give them any value, but it’s something to get my creativity flowing in the
right direction.
I
edit mercilessly once I have some detachment from my pieces. If they are fresh
they are always beautiful and perfect. The truth is less appealing – they need
work, they all need work. And when I let myself, I would edit each piece into
utter obscurity.
Usually
though, my pieces come from dark spaces in my psyche. It is a difficult place
to go, and perhaps that’s why I don’t spend much time there or feel challenged
in heading into that space every single day. I have so many poems about dead
people. I have some many that are just a means to process the pain, there is no
beauty in them, only hurt. Or if there
is beauty, it is in the suffering.
At
some point this is interrupted by a necessary online meeting for work – I love
my work. It is not a disruption, more like an echo of the type of things I
write about.
Surely
by now it must be lunch – forcing me to acknowledge the world outside my corner
office and the necessity of bodily sustenance.
After
lunch there is never time to write. This is when the real nature of my work is
most apparent; when the kids I work with start asking when I can help them with
the myriad of concerns they must have, and when I need to be prepared to
physically attend to things. Mask on, I hop in the van, ravaged by the drives
in and out of town day in and day out. The tires are always somehow going flat.
I will never know why. My day will “end” in a few hours, but the calls and
texts and emails don’t have a time they turn off. And honestly, that’s ok.
These
days still bring inspiration, perhaps even panic, sadness and hope. Everything
is in balance, as one would expect. The stories of the day stay secret, but
their impact is pure and unbridled.
The
evening is for family, and when I am feeling particularly in tune with my focus
I can maybe throw some stanzas around. Perhaps instead I spend it reading
poetry for review. Rarely, I’ll be smacked between the eyes with some choice
lines while showering or relaxing before my head hits the pillow.
There
really is no right or wrong way to find the time to write. I hope I continue to
do so, regardless of how my days play out as a result.
Justene
Dion-Glowa
is a bi, Métis poet from BC, Canada. She works with Indigenous youth. She
writes poetry and creative non-fiction in her spare time. She is Editor-in
Chief of 3 Moon Magazine. She also reviews poetry for The Poetry Question.
Her work can be found in Petrichor, Burning House Press, Ice Floe,
Ayaskala, and other journals, with more due out in the Body issue of
Mineral Lit Mag. Her microchap, TEETH, is coming out July 28, 2020 from
Ghost City Press. Her chapbook, Trailer Park Shakes, is due out in the
winter of 2020 from Rattle, having won their 2020 chapbook contest. She
tweets at @gee_justy.
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