I don’t know if I have a daily writing
process, now that I think on it. Well, no, I sort of do, but there’s not a
whole lot of consistency, no schedule. At the best of time, I’m a bit all over
the map and especially these days as we tangle with the plague. My partner and
I made the decision to take our son – he’s five - out of daycare for the rest
of the summer. My wife works from home but if she wants to get anything done,
it falls to me keep The Lad fed, watered, and entertained. We’re lucky that
way; I just wrapped up a two-year MA and with no immediate prospects it made
sense I’d be on point until The Lad begins Kindergarten and I will spare any
wild descriptions of my anxiety about that.
But I digress. This is about my writing day.
I write poems by the way. That’s probably something I should mention. If you’d
told me, what? Ten, twelve years ago when I was middle-manager at mid-tier transportation
outfit, and absolutely miserable at it, that I’d be a stay-home dad and some
kind of poet with a Masters degree, I’d have laughed you out of the room and
slammed the door but isn’t life just a funny old business. So, yes, I write
poems. As to why, that’s a whole other mess of complicated words and that’s not
what this is. This is about my writing process so as a long-lost friend of mine
used to say, “Just @*$! get on with it.”
Most days, pre-Covid (and doesn’t Covid sound
like the name of that weird kid you remember from third grade who used to turn
his eyelids inside out?), I would usually plunk myself down at my local library
and start scribbling. Nothing specific, usually, just a lot of nonsense writing
and every so often stopping to flip through a book or go down some Wikipedia
wormhole. After a few hours of this, I’d pack up and go home satisfied but
usually frustrated because writers. That was, and still is, the gist of my
process save for the part where I would do this almost everyday. Right now,
forty-five years old and creaky from trying to keep up the The Lad during a
pandemic, I’m tired. A lot tired. Fed up, too; these are trying times where
even a quick run to WalMart amplifies my anxiety to air-raid siren levels.
Writing, any writing, happens every few weeks for me but certainly not daily,
not now.
And that’s okay. I can’t beat myself up. This
is a wild, exhausting thing we’re going through. What gives me some solace in
the down moments is a belief that even with my creative output on standby, the
mad swirl of my subconscious is still taking it all in, filing things away in
preparation for the days I have the time and energy to write. I also have
notebooks full of random, seemingly incoherent ideas and turns-of-phrase dashed
out in brief, quiet moments, most of it forgotten before the ink dries. It’ll
keep, mostly- the tragedy of my penmanship means the occasional casualty- those
tangled scrap-yards of material available for parts.
Nowadays, and for the foreseeable future, I
do all my writing at home. I am very lucky to have a room of my own full of
books, a cluttered inventory of Hot Wheels cars, knick-knacks, mementos, and a disconnected
rotary phone I bought on eBay with hope it might be haunted. My desk is a beat
up but surprisingly durable Ikea thing named Matteus that;s usually topped with
notebooks, papers, and beat up pencil box I’ve been using since 1988. My laptop
is there too.
I don’t begin writing poems on a screen, they
always come about on paper. A weird thing I do when I’m putting down the
foundations of is set up two, sometimes three, notebooks in front of me. When a
reasonable first draft comes together in one notebook, I copy it over to the
second notebook reworking it in the process. I go back and forth between
between them until I feel the poem is working and only then do I type it out. It’s
utterly inefficient but it works for me.
That’s about it. As you can probably tell, I
am hopelessly disorganized but on any given writing day, that’s generally how
it all shapes up. I rarely have steadfast routine mapped out and if I’m being
perfectly honest, that was true even before the pandemic. Perhaps come Autumn,
between looking for work and freaking out over Covid maybe showing up at the
door, eyelids inside out, I’ll get myself sorted, commit to a schedule, shed my
erratic tendencies. Probably. Or not. Look, no guarantees is all I can say. The
poems will happen regardless.
Jeff Parent
is a proud dad, partner, and emerging poet with an MA in Creative Writing from Concordia
University. He was runner-up in The Fiddlehead Magazine’s Tell It Slant
poetry contest in 2016, and a finalist in the Words(on)Pages Blodwyn Memorial
Prize in 2017. Most recently, Jeff was shortlisted for both the Cheltenham
Poetry Festival’s Wild Poem Prize and Pulp Literature’s Magpie Award for
Poetry. His poems have been published by Montréal Writes, The League of
Canadian Poets, and The/tƐmz/Review amongst others. His
first chapbook, This Bygone Route, will be published in Fall 2020 by 845
Press. Originally from Montréal, Jeff currently resides in Québec's Eastern
Townships.
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